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“‘AI’ is pretty much just shorthand for mediocre”

Just read through “You sound like a bot” by Adi Robertson in the Verge. I hadn’t really put my finger on the right word for my feelings about AI until reading that article but that’s it: it feels very mediocre.

If you want to get a rough overview of how the average frontend engineer might feel about a JavaScript framework, ChatGPT is useful enough. If you’re willing to ignore the questionable origins of the training data in use, Midjourney can be useful for rapid image generation for an early storyboard.

But as of right now, the output always feels meh, “yeah ok”. Never really surprises you with a unique perspective, or an unexpected visual language. That vibe is only becoming stronger as AI developers continue to sand off the “rough” edges on their products.

Maybe that will change. As Robertson says, “Maybe the schism between artists and AI developers will resolve, and we’ll see more tools that amplify human idiosyncrasy instead of offering a lowest-common-denominator replacement for it.”

That’s not happening any time soon. One reason is that artists have been given about 1,000 reasons to distrust AI, and I think that it is only widespread artistic use and input that could actually lead to that sort of breakthrough.

Another reason: spewing mediocrity is a pretty strong sweet spot for AI. AI is useful as a summarizer so long as you take the response with a grain of salt and follow up on sources. Case in point: Elicit seems pretty cool! Listen to this ShopTalk Show episode with Maggie Appleton for more.

Anyways, maybe we’ll eventually get to the point where AI has that human “spark”, who knows. Maybe it’ll happen next month and I’ll eat my words. Until then, as most of the content we experience online becomes more grey and sludgy, the personal will become far more valuable.

In Anil Dash’s article “The Internet Is About to Get Weird Again” for Rolling Stone late last year, he says that “the human web, the one made by regular people, is resurgent”. He places a lot of emphasis on the breakdown of the content silos we’ve relied on for so many years, which definitely seems like the major catalyst for the shift. But AI’s growing mediocrity will be the force that drives it home and really makes the human web stick.

(Related side point: clearly I need to read Filterworld by Kyle Chayka.)


Edit 21 Feb 2024: Maybe I should eat my words sooner? OpenAI just came out with Sora. Which is impressive! But… IDK, it still feels meh somehow? Maybe it’s just because it’s still early days, we’ll see.

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To read: Rest of World

To read: Rest of World

We document what happens when technology, culture and the human experience collide, in places that are typically overlooked and underestimated. We believe the story about technology is as big as the world that’s using it, and that everyone — from those building technology to those using it — can benefit from a broader global perspective.

And

A note on our name: If you don’t recognize it, “rest of world” is a ridiculous corporate term commonly used in global business operations. It’s a catch-all phrase that means, basically, “everyone else.” And it generally represents billions of people outside of the Western world. We know that their stories matter. The term “rest of world” is a symptom of a larger problem: a Western-centric worldview that leaves innumerable insights, opportunities and complexity out of the conversation.

I’ve come across so many great stories on here since I subscribed via RSS. Here is a small handful of the more recent articles I’ve enjoyed:

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Link: Cyberfeminism Index

Mindy Seu’s Cyberfeminism Index is now online. From the New Museum’s First Look:

In Seu’s telling, the term “cyberfeminism,” which came into usage in the early 1990s, “was meant as an oxymoron or provocation, a critique of the cyberbabes and fembots that stocked the sci-fi landscapes of the 1980s.” As a provocation, the term has certainly succeeded: over decades, it has brought feminisms and technologies into conflict and conversation, while the term itself has been contested, reimagined, debunked, and expanded. Cyberfeminism Index does not attempt to resolve these contradictions, but to honor the multiplicity of practices that might be gathered under this imperfect umbrella, particularly making efforts to center non-Western and nonbinary approaches.

Commissioned by Rhizome, developed by Angeline Meitzler. On larger screens, you can click the items to curate and download your own selection. Check it out.

cyberfeminismindex.com

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Digital coffee 🤖☕️

I’ve been getting a bunch of emails recently with web- and tech-related questions from collaborators, friends, clients, family members, almost everyone I know. I suspect this has to do with the huge shift we’ve all made recently in the way we work and live our lives.

Related to this, I’m offering offering free 30 minute slots every Tuesday afternoon GMT to anyone that wants to have digital coffee over Google Hangouts. I haven’t decided how long to do this, but I’ll try to continue until we’re past the worst of current events.

The point is to offer individuals – particularly those that are self-employed or run small businesses – an opportunity to ask nebulous tech-y questions. But I’m happy to talk about anything! WFH tips, recipe ideas, the best movie you’ve seen recently, great sci fi authors, how to grow herbs indoors (I could use some pointers). Only thing I’d probably rather not talk a lot about is COVID-19, please and thank you.

I can’t promise to have all the answers, but I can promise my insight and some nice face-to-face time. We could all use a bit of that right now.

If you think you’d benefit from this, feel free to sign up for a slot. If you know someone that might benefit from this, point them my way.

This is directly inspired by Carly Ayers’s Digital Coffee as linked to on Google’s Hack to Help: COVID-19 site. Nice idea.

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Where do you draw the line?

There’s a fine line between changing from within and being complicit.

Dr Kate Darling, MIT Media Lab researcher and expert in robot ethics, said this in her 27 August Guardian opinion piece on Jeffrey Epstein’s influence on the science world. This comment referred to her relationship with the MIT Media Lab and with literary agency Brockman. There was an all-hands Media Lab meeting on 4 September to internally address their part in all this, read more in the MIT Tech Review. Sounds like the meeting was something… hard to tell. Ended on a thoroughly rotten note.

That line from her article has stuck with me, it’s a succinct way of articulating an ever-present worry. If you’re doing good work at an organisation that is being questionably governed or is doing iffy things, you either A) stick with the org and live with that worry every day or B) step away from it entirely and be free from the worry. In scenario A, in order to feel ok with yourself you do everything you can to make a difference. This is exhausting, and you resent colleagues that aren’t working as hard to fix things. In scenario B, you’re free from this worry but you live in a fresh hell of new worries (missed opportunity, financial stability, unfulfilled potential, etc).

Don’t know where the line is, it shifts constantly and is probably different for every person. Just have to keep it on your mind and keep having the hard conversations. Don’t let it build up, talk little and often, with everyone.

Edit 10.09.19: Deleted a sentence mentioning Darling’s plans to drop Brockman and stay with the Media Lab, from her Guardian article. That may still be the case, but more has come to light so I wouldn’t assume anything. It must be incredibly tough thing to navigate.