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Homework from Larry

It’s a beautiful, premature spring day today. Mid-50s in the sun, and might even reach 60F tomorrow before it drops back down for a bit.

B and I picked up some cupcakes from Ladybird and I stopped to feed him on the bench outside. An older guy was sat on the neighboring bench reading Right-Wing Critics of American Conservatism by George Hawley, but mainly holding court. He asked me B’s name, and we got talking about books and movies. Larry gave me some homework:

  1. Listen to the Octavia E. Butler interview on Krista Tippett’s On Being podcast. This is a tough one… I had a look for it but couldn’t find it. Perhaps he meant the episode with Anthea Butler and Arlene Sánchez-Walsh on Sister Aimee? I don’t think so though since he said the interviewee was talking about spirituality and sci-fi. I scanned through all of the episodes before Butler’s DOD and didn’t find anything. Perhaps it was a different radio show? I’ll have to ask if I run in to him again.
  2. Watch Worlds of Ursula K. Le Guin, a PBS documentary presented by American Masters. You need a membership to watch it, but there are some short clips on YouTube as well.
  3. Watch The Hustler, a 1961 film with Paul Newman, Jackie Gleason, and Piper Laurie.
  4. Watch Days of Wine and Roses, a 1958 episode of Playhouse 90 on CBS with Cliff Robertson and Piper Laurie. He said it is on YouTube but unfortunately I can’t find it. Perhaps it was taken down. He also recommended the film from 1962 with Jack Lemmon and Lee Remick.
  5. Read A Clockwork Orange, the film isn’t enough. Anthony Burgess was his teacher.
  6. Check out Thomas Nast’s editorial cartoons.
  7. Check out Alice Neel’s portraits. He mentioned a retrospective at the Whitney that made a huge impression on him, when I look for it online it looks like that was back in 1974. Looking at her paintings now online, I can’t believe I hadn’t heard of her before. Shame to have missed her retrospective at The Met last summer but c’est la vie, we weren’t in Brooklyn yet.

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Gogo Penguin + Koyaanisqatsi, and the memory of a tower in Bosnia and Herzegovina

Last night I went to a live screening of Koyaanisqatsi at EartH in Hackney with GC. I knew Gogo Penguin would be playing live, but I didn’t realise they’d be playing their own re-scoring! Pretty impressive, both the execution and to even take it on considering the epic proportions of Philip Glass’s original score. The synchronisation of the rhythm and the visual was maybe not quite as intricate as the original but it was expertly handled, particularly for a live performance. Most of the time the pace was frenetic, frantic. There weren’t quite as many despairing moments as in Glass’s score, but the overall vibe was very similar.

I need to listen to more Gogo Penguin and definitely need to watch the original film, before this I’d only seen small bits of it.

The derelict facade of the Ljubljanska Banka Tower, or “Sniper’s Tower”, in Mostar (Bosnia and Herzegovina)

Photo taken 15 April 2009

The second half of the film includes many clips of derelict housing projects and other buildings. Those clips unearthed a ten-year-old memory of a tower I’d seen when visiting a good friend in Mostar, Bosnia and Herzegovina. The angular concrete structure loomed over the playground in Park Zrinjevac. It was an inanimate casualty of the catastrophic conflicts that consumed the region in the early 1990s, abandoned but clinging to a few remnants of glass and insulation.

That much I knew from the pocked concrete, but I didn’t know the specific role it played in the war until today. Once called the Ljubljanska Banka Tower, it’s now known to some as the Sniper’s Tower. It was used by gunmen targeting people below during the 1993–1994 Siege of Mostar. The multiple sieges led to the widespread destruction of the city, and almost 100,000 people fled.

I searched everywhere online for pre-war photos of the tower but couldn’t find any, just this photo taken a few months after I was there. The photographer captured it in much better light than I, the photo hints at the building’s formerly mirrored, golden facade. It still stands from what I gather, but the exterior structure has been removed and the entries have been blocked off. Graffiti artists use it, and urban explorers try to have a poke around. It looks like a skeleton in the more recent images I’ve seen. I’m not sure I’d feel comfortable going in.