Gogo Penguin + Koyaanisqatsi, and the memory of a tower in Bosnia and Herzegovina

Last night I went to a live screening of Koyaanisqatsi at EartH in Hackney with GC. I knew Gogo Penguin would be playing live, but I didn’t realise they’d be playing their own re-scoring! Pretty impressive, both the execution and to even take it on considering the epic proportions of Philip Glass’s original score. The synchronisation of the rhythm and the visual was maybe not quite as intricate as the original but it was expertly handled, particularly for a live performance. Most of the time the pace was frenetic, frantic. There weren’t quite as many despairing moments as in Glass’s score, but the overall vibe was very similar.

I need to listen to more Gogo Penguin and definitely need to watch the original film, before this I’d only seen small bits of it.

The derelict facade of the Ljubljanska Banka Tower, or “Sniper’s Tower”, in Mostar (Bosnia and Herzegovina)

Photo taken 15 April 2009

The second half of the film includes many clips of derelict housing projects and other buildings. Those clips unearthed a ten-year-old memory of a tower I’d seen when visiting a good friend in Mostar, Bosnia and Herzegovina. The angular concrete structure loomed over the playground in Park Zrinjevac. It was an inanimate casualty of the catastrophic conflicts that consumed the region in the early 1990s, abandoned but clinging to a few remnants of glass and insulation.

That much I knew from the pocked concrete, but I didn’t know the specific role it played in the war until today. Once called the Ljubljanska Banka Tower, it’s now known to some as the Sniper’s Tower. It was used by gunmen targeting people below during the 1993–1994 Siege of Mostar. The multiple sieges led to the widespread destruction of the city, and almost 100,000 people fled.

I searched everywhere online for pre-war photos of the tower but couldn’t find any, just this photo taken a few months after I was there. The photographer captured it in much better light than I, the photo hints at the building’s formerly mirrored, golden facade. It still stands from what I gather, but the exterior structure has been removed and the entries have been blocked off. Graffiti artists use it, and urban explorers try to have a poke around. It looks like a skeleton in the more recent images I’ve seen. I’m not sure I’d feel comfortable going in.

More sci-fi

While I was away in France, I read The Word for World is Forest by Ursula K. Le Guin. The contrast between good and bad is pretty b/w, a little less nuanced than in some of her other books, but I really enjoyed it. It had some Heart of Darkness and Planet of the Apes (2010s reboots) vibes.

Off the back of that, these are a few new sci-fi items for the reading and watching lists:

  • La Planète des singes by Pierre Boulle published in 1963. I didn’t realise that the whole Planet of the Apes world started with this novel.
  • A Non-Euclidean View of California as a Cold Place to Be, an essay by Ursula K. Le Guin. It can be found in her essay collection Dancing At the Edge of the World: Thoughts on Words, Women, Places, can also be found bouncing around online. Recommended by GC. I need to get a better handle on Le Guin’s work in general actually, there’s just so much!
  • Annihilation by Jeff VanderMeer published in 2014. The movie was based on this book, apparently both are pretty good but the book is particularly strong. Recommended by FB and GC.
  • FB, GC, and I were talking about how the strength of so much great literary fiction lies in the fuzziness, the areas where the reader is trusted to fill in the gaps. This is so often lost when a book is adapted to film. David Lynch is good at hanging on to this stuff (see Mulholland Drive, for example), but I’m not a big film buff and couldn’t think of many others. FB suggested we check out some Andrei Tarkovsky films, particularly Solaris (1972).
  • Related to that read Solaris, the 1961 philosophical sci-fi novel by Stanisław Lem. I had no idea the movies were based on one of Lem’s books.

TODOs: automation, films, pens, reading, etc.

This week has been absolute chaos. Good though! A few things to remember, and to follow up on.


I keep coming across Automate the Boring Stuff, and keep forgetting to look in to it. Python was the first language I learned back in college with Prof. Maxwell, so would be nice to revisit it.

Same thing with films like Idiocracy and The Skeleton Twins. Made a mental note to see them years ago and then promptly forgot, so I’m noting them here as an ever-so-slightly more effective reminder. Idiocracy seems particularly weird, on paper it should have been a huge hit but it got absolutely sidelined by Fox and was screened in the bare-minimum of theaters. The reviews are crazy mixed. Still, I’d like to see it.

Something I *have* watched recently on SB’s recommendation is the BBC’s Ghosts. It’s hilarious and completely charming, a lot of the same faces as the original Horrible Histories but a completely different format. I’d watch the whole thing again, hope they do another series.

Last weekend was Offprint book fair in the Turbine Hall at the Tate, and probably my last event with OP. It was nice to see a few familiar faces including the guys at Here Press. Richard Hollis did a talk to a full house on his newest book about Henry van de Velde followed by a book signing at OP’s table. It was nice to see him again. He was using a blue Uni-ball Air for the signing. I’m going to keep my eye out for that one in the stationery shops, it’s a ball point that writes like a fountain pen (line thickness varies with pressure, but very little risk of leaks). The price seems super reasonable, the web’s retail giant offers a three-pack for just under £5.

GC recommended The Mushroom at the End of the World, and if there’s anyone I trust to give me great book recommendations, it’s her. I’m just hoping it leans towards the glass-half-full end of things, I’m not sure I can take more pessimism right now.

I might have a little bit of downtime while travelling over the next few weeks. If I do, I’m hoping to spend a little time looking in to Commotion, “a free, open-source communication tool that uses wireless devices to create decentralized mesh networks”. Could use SiteSucker to grab all of the docs before I leave for offline reading. I came across Commotion for the first time via a link to Learn Networking Basics from Measurement Lab’s learning resources.

Big data? No thanks

Gandi published a long blog post titled “Mass manipulation and platform privacy: where we’re at”. It’s summarises some talks and Gandi’s perspective following a conference on “democracy in the face of cybersecurity threats”. I’d like to follow up on a few of the points from the post. I’d also like to find out what public educational efforts are under way. Surely someone is working on PSA-style messaging about the dangers of misinformation and how to identify it. It’s easy to be skeptical about that sort of thing, but it can stick. What’s the cyber-awareness version of “Only you can prevent forest fires” or “A slip of the lip will sink a ship”? James Bridle’s “Big data? No thanks” is related, but the version I’m talking about is more personal, about confronting your own confirmation bias. But not too ominous, also catchy and friendly? Tall order.

Every time I sit down on the tube I wonder about what other people see when they look at me, what they perceive about me precisely because they are *not* me. There is this slippery divide when it comes to understanding yourself. There are elements of yourself that you can never understand since it’s impossible to get outside your own head (one of the reasons that talking to someone else about a problem can be so helpful). There are other things about yourself that only you can ever understand, no matter how much time you spend attempting to express that thing. I have trouble articulating why this feels like a catch, but surely someone out there has tried. Just need to find them.