We launched a new site for architecture practice Barozzi Veiga about a month ago. It was a pleasure to work with Adrien Vasquez at John Morgan studio during the development process and to work with the Barozzi Veiga folks as we fine-tuned things. The site launch coincided with the announcement that Barozzi Veiga had been selected to take on a major renovation of the Art Institute of Chicago (read more).
I enjoyed working on a proposal with Mobile Studio recently for Constructing Communities. This evening at the RIBA building on Great Portland Street, Julie Cormie is giving a pecha kucha on ‘Flipping Bricks’, our proposal for an architectural intervention driven by real-time train data.
Coming soon to the Thames Estuary and a browser near you.
Been experimenting with Blender these past few months, pretty incredible free/open source 3D software. Definitely a bit of a learning curve, but very addictive and satisfying once you get the hang of it.
Links to some of the more helpful tutorials and info I’ve found are listed below. I switched from the Blender Internal engine to Cycles recently for improved results w/ architectural rendering, so some of these links are specific to Cycles.
Lots of Eames notes recently. SB recommended this video to me, I love it. Also, found the Guardian review of the Eames exhibition kind of interesting. It does seem contradictory that they managed to be so unflaggingly optimistic in their lives and output in the face of some pretty harsh concurrent events.
Q: How would you define yourself with respect to a decorator? an interior architect? a stylist?
A: I wouldn’t.
One of 29 questions posed by Madame L’Amic and answered by Charles and Ray Eames. The resulting Design Q & A formed the conceptual basis of the exhibition Qu’est ce que le design? (What is Design?) at the Louvre. I believe the exhibition was held in 1969, though I have seen 1972 listed elsewhere.
The transcript and video are available online. For best results however, see it at the excellent The World of Charles and Ray Eames exhibition designed by 6a architects and John Morgan studio. It’s on at the Barbican until 14 February 2016.
Bonkers, and awesome.
Particularly enjoyed the way the light was diffused and altered for works with very reflective surfaces or cases.
I really enjoyed Liechtenstein’s Moonscape, a screenprint on iridescent blue plastic. It seemed smaller and more experimental than his more famous pieces, and more reserved. You walk up a long ramp in Parent’s space to reach the piece and end up viewing it on a raised platform, a dead-end and the highest point in the gallery. That’s where I took the iffy panorama above. The photo doesn’t do it justice, but hopefully it gives an impression of the extent of Parent’s architectural intervention within the space.