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Current listening: “The Best of the Alessi Brothers”

Currently listening to The Best Of The Alessi Brothers (1998). Had no idea about them, came across them via two cool cats on Twitter.

These vibes are the perfect thing right now. Also, will be taking photos of the Alessi Bros to the hairdresser when that’s an option again.

Apple Music | Spotify

The album’s not on Bandcamp, but “Seabird” is included in Late Night Tales: Metronomy.

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Current listening: “My Finest Work Yet” by Andrew Bird

Currently listening to My Finest Work Yet (2019) by Andrew Bird. “Bloodless” is particularly on the nose.

Well, the best lack all conviction
And the worst keep sharpening their claws
They’re peddling in their dark fictions
While what’s left of us
Well, we just hem and we haw

And it’s so damn slinky, catchy.

LP from Loma Vista Records | Apple Music | Spotify

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“the mystic mouth / leaves me so defted”

sweet love, sweet love
love

my throat is gurgling
the mystic mouth
leaves me so defted
defted

my throat is gurgling
the mystic mouth
leaves me so defted

and the deep black nightingale
turned willowy

and the deep black nightingale
turned willowy

by love’s tossed treatment
berefted

The lyrics to John Cage’s “Four Walls: Act I, Scene VII”. I couldn’t find the lyrics many places online, so here they are.

Been listening to Symbol by Susumu Yokota a lot recently, finally took the time to look up a few of the songs he sampled. The voice in “music from the lake surface” is particularly haunting and weird, turns out it’s this piece.

“Four Walls” premiered in Steamboat Springs, CO in 1944, and this particular piece was originally sung by Julie Harris. The lyrics are a poem by Merce Cunningham.

I wonder which recording he sampled… It’s my favorite that I’ve heard so far, am not that in to many of others I’ve heard. Though I do think that the version from the 1989 album by Richard Bunger and Jay Clayton is pretty good (Apple Music, Spotify).


Related: I purchased John Cage: A Mycological Foray published by Atelier Editions a while back and it’s gorgeous. I really should send the postcards inside, but I’ll probably hang on to them. Need more pleasurable things to look at during the day-to-day right now.


Related to related: Listen to Mushroom Haiku, excerpt from Silence (1972/69) on UbuWeb. Browse the rest of Ubu’s John Cage artefacts.

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Current listening: “Playing Piano for Dad” by h hunt

Currently listening to the album Playing Piano for Dad (2016) by h hunt. Thanks to BL for the rec, by way of SB. It’s all about the piano, but I also like the occasional background talking, bits of humming, snaps, throat clearing, restarts, sighs, hearing the pedals. It’s an antidote to the franticness of the news cycle this October.

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“All of time / Is right here / Is right now” 🌈

Current listening: “Mystic Familiar” by Dan Deacon

I listen to music while working but usually it’s something like Max Richter or Jon Hopkins, something without lyrics. I just can’t do lyrics and work on logic or systems, my brain gets mixed up.

This album is different, no problem working to it. And it’s so damn joyous, it’s the electro-pop mantra I need right now. See also the video for the first song from the album, “Become a Mountain”. And if you use Spotify, try setting up a Dan Deacon artist radio. Highly recommend it.

“Mystic Familiar” was released at the very end of January 2020, so at least one beautiful thing resulted from this unfathomably dark year. And my cousin getting engaged, and our dear friends telling us they’re having a baby. Continue connecting the dots between the good, feel lighter already.

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Independent live music venues in San Francisco

A list of independent live music venues in San Francisco sorted by capacity. Obviously not for right now, but I’d like to check them out when possible. Most of the list is from this 2018 article on the DNA Lounge blog (came across it on Twitter but can’t find the original tweet now…).

If someone reads this and goes “hey, that’s not independent!”, tell me and I’ll tweak the list.

In terms of outdoor venues in the Bay Area, I think that Stern Grove and Jerry Garcia Amphitheater are owned by the SF Parks Dept. and the Greek Theatre is owned by UC Berkeley? Not sure. I imagine some of their gigs are organized by the major conglomerates, but it looks like the Stern Grove Festival is independent.

For independent venues elsewhere in the US, incl. The White Horse in Austin ❤️, check out the National Independent Venue Association.

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time, scratching, snow, and white noise

🔮🦷👁🌙

Last night was Musarc’s winter concert The Orrery on the first day of LCMF 2019. Our performance included a new commission from Lina Lapelytė Time to Become One, the UK premiere of Jennifer Walshe’s The White Noisery, György Ligeti’s Poème symphonique, Un soir de neige by Francis Poulenc, and Fritz Hauser’s Schraffur (Hatchings).

A glowing orb suspended over an audience and an assortment of metronomes in a darkened room

Everything revolved around a floating, glowing orb.

The evening was conceived in collaboration between Sam Belinfante, the contributing composers / artists, members of Musarc, and our inimitable directors Cathy Heller Jones and Joseph Kohlmaier. It all came together with a ton of help from friends and metronome-sitters, and exceedingly delicious vegan food was offered by Return to Shashamane.

It was intense and meditative. I’ve spoken to a few friends in the audience who had nice things to say, but also I’m curious to know what others in the audience thought. I’ve seen at least one good blurb, which is lovely.

Big things for the choir next year I expect. In the shorter term, I’m looking forward to the rest of LCMF’s Witchy Methodologies. Particularly On Rites and Reenchantment and On Gossip & Eavesdropping.

Image via LCMF