Jon-Kyle recently did a livestream on livestreaming, frustrated that I missed it! But he posted the recording and his notes on his site, see Ways of Going Live. Looks like I need to check out Mux.
Lea Verou just published a blog post about the LCH color space. This is super exciting, see her post for detail. Specifically, the improvement has to do with the perceptual uniformity and lightness being visually consistent no matter the hue.
The best way to get a feel for this is to experiment with her LCH color picker. Drag the hue value back and forth, and you’ll see that the tonality of the background remains consistent. It doesn’t suddenly feel a lot lighter in yellow than it does in blue. Do the same thing in an HSL color picker and you’ll feel the difference.
This would help a lot with the color on my site. I’ve never been 100% happy with how the color is handled because it is too hard to control the lightness and thus the legibility. See the List page for a clear example of this, posts in June and February are particularly hard to read. LCH would solve this!
SFAI is closing indefinitely. Such sad news. It sounds like the CoViD-19 situation was the nail in the coffin.
I took a painting course there during the summer before my senior year of high school. I lived in the East Bay and took BART or drove over the Bay Bridge every day. It’s the sort of place I’d want to be if I had decided to keep studying art. A place where you could get lost and be left to your own devices, sort of like the old Foulis building at GSA but more labyrinthine.
The school has been around for almost 150 years. Diego Rivera painted a huge mural in the student-directed gallery in the 1930s. The photography department was founded by Ansel Adams. San Francisco’s wild parrots sometimes roost loudly in the loquat tree in the Spanish courtyard. I can’t think of anywhere in SF that offers better views of the city and the bay, for free from the Brutalist ampitheater or for the price of a bagel and a coffee at the cafe.
It’s one of my favourite places. Very sad to see it go.
This is such a useful article. His implementation on Tinnitus Tracker is definitely more involved than what I’ve done on this site, particularly what he’s done to account for inherent saturation levels and lightness vs luminance. And his colour wheel mapping is slightly offset from mine. I feel like August is the reddest month! I’ve wanted to reconsider the colour here for a while, particularly since the accessibility of some of the hues isn’t up-to-snuff. Rob’s write-up might make that adjustment a bit more straightforward which is a big relief.
I remember being really interested in where Grant Custer went with colour on his blog when I started screwing around with colour on this site. See his blog in 2013 on the Internet Archive. I wanted to see whether or not there was some way to ambiguously reflect where I was in the world, particularly since I live so far away from most of my family.
The first version of the colour experimentation on this site mapped the HSL values to the season, temperature, and time of day where I was at the time the site was visited. This is an example from Paris in late 2016. The hue value was mapped to the date/season (same as now), and the lightness was mapped to the time of day using Moment.js and Moment Timezone. The goal was to map the saturation to the weather where I was using the OpenWeatherMap API with stormy and cloudy days being less saturated, but that never came to be since the weather descriptions weren’t consistent enough. I ended up mapping the saturation to the temperature instead, but I don’t think it was quite as effective.
When I turned the site in to a blog first and foremost, I dropped the location and weather aspect. It could be fun to return to it since it might bring a bit more variation, particularly on the list page. Might be a little wild though, and it might be a massive headache to introduce location and weather on old posts… At bare minimum, I could probably incorporate the time of day as lightness. We’ll see!
A short surfing with coffee. It’s getting quiet as clients and collaborators head off for the holidays, so I played inbox catch-up this morning
Issue 227 of Rachel Andrew’s CSS Layout News is full of excellent reading and listening related to accessible and inclusive design. The link I dug most in to was “Future Accessibility Guidelines—for People Who Can’t Wait to Read Them” by Alan Dalton. His article led me to Liz Jackson’s Interaction 2019 keynote “Empathy reifies disability stigmas”. Part way through, she recommends the book Pathological Altruism. Looks like a big read (and it’s not cheap!) but it seems very worthwhile.
From about 8min 28sec in to her talk:
Step two of the design thinking process is defining the problem — but because disabled people are rarely able to lead, it often becomes us that are defined as the problem rather than the problem being defined as the problem. It becomes about what we can or can’t do, rather than how something does or doesn’t work for us.
So you have our insights gleaned, we’re defined as the problem, and then designers enter this iterative process of ideation, prototyping, and testing which leads to the unacknowledged stick stepper design thinking or as I call it, design thanking.
Because we’re expected to be grateful for that which has been done for us.
Her talk is roughly 20 minutes long and well worth a watch.
Thanks to Sam for the CSS Layout News recommendation.
Read Joe Hammond’s final article in the Guardian
Author Joe Hammond passed away recently at age 50 from motor neurone disease. He covers so much loss in his final article, particularly the loss of the future with his two young boys and wife.
Other losses are simpler and more incremental. Sometimes they are nothing more than adaptation and sometimes, like the loss of my voice, they are devastating. I lost my swallow very quickly. There was a three-week period when Gill made sure I had lots of really nice soups, and that was it. Food was a thing of the past. I’ve never got over that loss.
My grandpa on my dad’s side lost the ability to swallow years before he passed. When it started getting bad he could still have ice cream every once in a while, his favorite thing, and then no more. I find it almost impossible to imagine how hard that must have been, particularly for someone as social as him. He probably managed to stick around as long as he did because of my grandma. She was his college sweetheart, his always.
I’m hoping to write a bit more about the development at some point, particularly on working with the Arena API. Ran in to some interesting hurdles with block ordering! In the meantime, see the repository on GitHub and check out the making-of post on her website.
Marion Stokes recorded television news twenty-four hours a day between 1979 to 2012 on to over 70,000 VHS and Betamax tapes, planning her days around the length of a tape and storing her output in various apartments. Her collection was donated to the Internet Archive and the tapes are now being digitised so that they will eventually be available to the public online.
Recorder: The Marion Stokes Project is a documentary, a portrait of Marion Stokes by filmmaker Matt Wolf. The image above is a still from the trailer. I really hope to see it at some point, maybe it will come to London. Thanks to RE for bringing this to my attention.
Listen to Slow Radio, more excellence from BBC Sounds brought to my attention by SB. The first episode I listened to was a short one, a 16 minute visit to a snowy forest near Oslo. I’ll most likely listen to all of them at some point, but might particularly listen to Dementia voices, the last Elfdalians, life on a shanty boat next.
Definitely looking forward to the multipart, multi-hour Arctic Sound Walk coming up on 24–26 December.
Need to make this chile crisp recipe from Bon Appétit by Chris Morocco. Sweet, salty, spicy, garlicky. Not that easy to find red pepper flakes in the UK though. I’ve got a lot of dried habanero peppers and Bird’s Eye chilies to use up… but I think those might be a *bit* more intense than red pepper flakes!