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The wonderful world of BBC Sounds

BBC Sounds is such a treasure trove.

It introduced me to You’re Dead to Me, a very funny history podcast by Greg Jenner. My favourite episodes so far are probably the ones on Mansa Musa and Harriet Tubman.

Around Halloween I came across Haunted Women, a one-off program exploring how women have used the ghost story form. Reminds me, I am way overdue reading some Shirley Jackson. I’ll probably start with the bookends, The Road Through the Wall and We Have Always Lived in the Castle. Will definitely have to read The Haunting of Hill House as well, The Haunting is one of my favourite horror films. The film was released in 1963 under the Hays Code, so I’ll be interested to see how much more of Theodora’s character is revealed in the book.

Other BBC Sounds programms that I’m planning to listen to include:

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Pikelets

Makes about ten pikelets that are 7 cm (~3″) in diameter. For the unfamiliar, pikelets are kind of like small American pancakes.

In a large bowl, whisk together 155 g (1¼ c) plain flour, 2½ t baking powder, and 2 T sugar. Sift your flour and baking powder if it’s a little lumpy, it’ll make a big difference. In a separate small bowl, whisk together 1 egg and 175 mL (¾ c) milk. Non-dairy milk works if that’s what you prefer. Pour the wet in to the dry and then whisk until barely combined. There may still be a few small lumps of batter. Let this sit in the fridge to homogenise for at least 5 minutes while you prepare the pan.

Lightly oil or butter a large nonstick pan or griddle and then heat it over medium. Don’t use too much fat – the thinner the coat, the more evenly coloured your pikelets. When the pan is hot, dollop in 2 T (about half of a ¼ scoop) of batter. Allow the pikelet to cook without pestering it until there are small holes forming on the top side and the batter begins to set, then flip and cook the other side. The second side usually needs a little less time.

Serve immediately with butter and jam, or let cool and store in the fridge. Pikelets are great reheated in the toaster.

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Notes from Redecentralize 2019

Been a busy few days with Redecentralize on Friday followed by MozFest over the weekend. Redecentralize was a one-day unconference at 4th Floor Studios in Whitechapel. The event was expertly organised by Ira Bolychevsky and her crack team.

It was a day of thought-provoking conversations and notebook scribbling. This is an attempt to decode the scribbles, make some follow-up plans, and to generally summarise the day from my perspective. There was a lot going on so I can’t cover it all, but I’m going to keep an eye out for other people’s notes via the Redecentralize newsletter.

\              \                      \                   \
\\\   \   \    \\            \        \\       \       \  \\
\\\\\ \\\ \\\  \\\   \    \  \\     \ \\\  \   \\  \   \\ \\\ \
\\ \\\\\\\\\\\ \\\\ \\\\  \\\\\\   \\\\\\\\\\\ \\\ \\\ \\\\\\\\
\\   \\\  \\\\\\\ \\\\\\\\\\\\\\\\\\\\\\ \\ \\\\\\\\\\\\\\\\  \
 \     \    \\  \   \    \\\  \  \\\   \  \   \\\ \\\ \\\  \   
              \            \       \            \   \   \

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Ikigai 生き甲斐

Ikigai 生き甲斐 = the ideal reason to get up in the morning. There are web articles aplenty on this topic but it doesn’t need much explaining, it’s just a more structured way of thinking about things you already have knocking around in your head. Worth keeping in mind.

                         . . . . . . .
                    .                     .
                 .         FOR               .
               .                LOVE           .
              .                                 .
             . . . . . . .           . . . . . . .
          . .               .     .               . .
      .     .   PA            . .        MI       .     .
   .        .    SS        .       .      SS      .        .
  .         .     IO      .         .      IO     .         .
 .           .      N    . . . . . . .       N   .  FOR      .
.   FOR       .     .   .             .   .     .             .
.              . .      .             .      . .    CO        .
.   TA         . .      .      🌱     .      . .     MM       .
.    LE       .     .   .             .   .     .     UN      .
 .    NT     .  PR       . . . . . . .           .     IT    .
  .         .    OF       .         .   VO        .      Y  .
   .        .     ES       .       .     CA       .        .
      .     .      SI         . .         TI      .     .
          . .       ON      .     .        ON     . .
             . . . . . . .           . . . . . . .
              .                                 .
               .          FOR                  .
                 .             MONEY         .
                    .                     .
                         . . . . . . .

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Gogo Penguin + Koyaanisqatsi, and the memory of a tower in Bosnia and Herzegovina

Last night I went to a live screening of Koyaanisqatsi at EartH in Hackney with GC. I knew Gogo Penguin would be playing live, but I didn’t realise they’d be playing their own re-scoring! Pretty impressive, both the execution and to even take it on considering the epic proportions of Philip Glass’s original score. The synchronisation of the rhythm and the visual was maybe not quite as intricate as the original but it was expertly handled, particularly for a live performance. Most of the time the pace was frenetic, frantic. There weren’t quite as many despairing moments as in Glass’s score, but the overall vibe was very similar.

I need to listen to more Gogo Penguin and definitely need to watch the original film, before this I’d only seen small bits of it.

The derelict facade of the Ljubljanska Banka Tower, or “Sniper’s Tower”, in Mostar (Bosnia and Herzegovina)

Photo taken 15 April 2009

The second half of the film includes many clips of derelict housing projects and other buildings. Those clips unearthed a ten-year-old memory of a tower I’d seen when visiting a good friend in Mostar, Bosnia and Herzegovina. The angular concrete structure loomed over the playground in Park Zrinjevac. It was an inanimate casualty of the catastrophic conflicts that consumed the region in the early 1990s, abandoned but clinging to a few remnants of glass and insulation.

That much I knew from the pocked concrete, but I didn’t know the specific role it played in the war until today. Once called the Ljubljanska Banka Tower, it’s now known to some as the Sniper’s Tower. It was used by gunmen targeting people below during the 1993–1994 Siege of Mostar. The multiple sieges led to the widespread destruction of the city, and almost 100,000 people fled.

I searched everywhere online for pre-war photos of the tower but couldn’t find any, just this photo taken a few months after I was there. The photographer captured it in much better light than I, the photo hints at the building’s formerly mirrored, golden facade. It still stands from what I gather, but the exterior structure has been removed and the entries have been blocked off. Graffiti artists use it, and urban explorers try to have a poke around. It looks like a skeleton in the more recent images I’ve seen. I’m not sure I’d feel comfortable going in.