Last night was Musarc’s winter concert The Orrery on the first day of LCMF 2019. Our performance included a new commission from Lina Lapelytė Time to Become One, the UK premiere of Jennifer Walshe’s The White Noisery, György Ligeti’s Poème symphonique, Un soir de neige by Francis Poulenc, and Fritz Hauser’s Schraffur (Hatchings).
Everything revolved around a floating, glowing orb.
The evening was conceived in collaboration between Sam Belinfante, the contributing composers / artists, members of Musarc, and our inimitable directors Cathy Heller Jones and Joseph Kohlmaier. It all came together with a ton of help from friends and metronome-sitters, and exceedingly delicious vegan food was offered by Return to Shashamane.
It was intense and meditative. I’ve spoken to a few friends in the audience who had nice things to say, but also I’m curious to know what others in the audience thought. I’ve seen at least one good blurb, which is lovely.
Big things for the choir next year I expect. In the shorter term, I’m looking forward to the rest of LCMF’s Witchy Methodologies. Particularly On Rites and Reenchantment and On Gossip & Eavesdropping.
Image via LCMF