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Victorias from Grandma and Grandpa
My goodness me, homemade Victorias from Grandma and Grandpa Piper. They look pretty good considering they’ve travelled over 5,000 miles!
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My goodness me, homemade Victorias from Grandma and Grandpa Piper. They look pretty good considering they’ve travelled over 5,000 miles!
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Had the pleasure of checking out Nostalgia & Progress: Illustration after the Second World War last weekend at Leeds Uni. There was quite a range of work on display, and together it made for a very enjoyable experience.
Somewhat embarrassingly, I’m not very knowledgeable about influential illustrators. That said, I could tell there were a few big names in the exhibition. I erred on the side of caution and didn’t take any photos, regretting that now. Two pieces by Charles Keeping, There had never been such a battle and an illustration from The Highwayman, were particularly arresting, and I can’t find them anywhere online. At any rate, the image here is an example of his work.
There were some more contemporary illustrators as well, two of which I’m lucky to know. William Goldsmith and Louise Lockhart had some lovely work on display.
The exhibition is on at The Stanley and Audrey Burton Gallery in Leeds University Library until 28 February 2015, so perhaps I’ll head back to try and grab a few photos (after asking, of course of course!).
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I’ve made these simple, flourless peanut butter cookies for years but have never thought of putting something in the center. Need to try it with apple butter next time.
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Look in to Ken Garland’s First Things First manifesto, particularly his reflection on its impact over the years, how it has or hasn’t been misinterpreted, the original signatories I’m not familiar with. I think there’s a bit of information about this around page 40 of Ken Garland: Structure and Substance by Adrian Shaughnessy. Haven’t yet had the pleasure of reading the book, but read a few extracts last night after Garland’s (great) talk and book launch last night at Sheffield Hallam. The Garland exhibition in the Cantor Building gallery is on until 9 November.
Incidentally, the electric doors at the main entrance to the Cantor building sound like dubstep. Cannot be unheard…
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Came across two blogs full of well-explained Korean recipes recently, Korean Bapsang and Apricosa. List of recipes to try first below (need to do the easier ones before graduating to the more complicated stuff!).
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Katie Hayward
Pillars II, 2014
Plastic and industrial fans
Dimensions variable
Took the train to Liverpool recently for the Adrian Henry: Total Artist book launch (published by Occasional Papers, buy it here), and tried to cram in the entire Liverpool Biennial in that one day.
The piece above is part of the 2014 Bloomberg New Contemporaries exhibition in the World Museum and was probably one of my favourite works in the show. Details below the photo (taken on my phone, doesn’t do her piece justice). I don’t think the artist has a personal website just yet, but there’s a bit of information about her here and here.
There was a separate, very loud installation in this part of the exhibition that, IMO, was unfortunately presented. I don’t mind loud sound installations, but the positioning didn’t seem carefully considered in this instance. Sound travels far and fast in those cuboid, hard-surfaced rooms.
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I was reminded of Jason Griffiths’ Manifest Destiny: A Guide to the Essential Indifference of American Suburban Housing during a conversation yesterday at Peter & Sally Nencini’s lovely stitching workshop at The Tetley.