Black and white photo of sculpture titled Gomma by Maria Blaisse from 2003

Maria Blaisse, Gomma, 2003, tubes. Image from Augenweide (i.e. Beatrice Oettinger). (image source)

The other evening, a friend introduced me to Maria Blaisse’s work as well as the lovely book The Emergence of Form published by nai010. The dedication evident in her output is incredible, and her canal-side studio in Amsterdam sounds pretty great. Wish I could find one of the images from the book online, it’s a black and white photo possibly taken in the 70s of her working on a woven piece with an enormous knot in the middle that’s easily twice her height. Will just have to buy the book (like I need an excuse).

Sidenote, Augenweide (source for the image) is a very enjoyable browse, glad to have come across it.

Walker blog interview with Maximage

I asked SB about people/studios that push the offset printing process when we were discussing a potential litho print last week, and he mentioned Berlin-based collective Maximage. The 2013 interview in the Walker design/art blog (linked above) sheds light on their interest in intervention.

Photo of the cover of Acid Test by Maximage

The cover of Acid Test, 2010. Image from Swiss Design Awards (image source)

On Kitty Anderson’s talk about Carol Bove’s work, and on visiting the Barnes Foundation

I recently attended the talk Supporting Structures: The use of plinths and platforms in Carol Bove’s work at the Henry Moore Institute. Kitty Anderson’s talk coincided with the Carol Bove / Carlo Scarpa exhibition in the Institute’s main gallery spaces.

Installation view of the Carol Bove / Carlo Scarpa exhibition at the Henry Moore Institute

Installation view of the Carol Bove / Carlo Scarpa exhibition at the Henry Moore Institute, Gallery 1. Photo via blog Books & Boots (image source)

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Researching the definition/concept of a construct (in science, in philosophy, in art) and came across a listing for On new constructs in art by Ernest Edmonds in the publications section of the compArt | center of excellence digital art database. Need to take a closer look at this database, they’re currently drawing attention to the early phase of digital art (roughly 1950 to 1980).