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Fig & peanut butter thumbprint cookies

Fig and peanut butter cookies

I’ve made these simple, flourless peanut butter cookies for years but have never thought of putting something in the center. Need to try it with apple butter next time.

Fig and peanut butter thumbprint cookies

Ingredients

  • 260 grams (1 US cup) peanut butter
  • 180 grams (scant 1 US cup) sugar
  • 1 large egg
  • 2 figs (or possibly some sort of preserves)

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Ken Garland, First Things First

Look in to Ken Garland’s First Things First manifesto, particularly his reflection on its impact over the years, how it has or hasn’t been misinterpreted, the original signatories I’m not familiar with. I think there’s a bit of information about this around page 40 of Ken Garland: Structure and Substance by Adrian Shaughnessy. Haven’t yet had the pleasure of reading the book, but read a few extracts last night after Garland’s (great) talk and book launch last night at Sheffield Hallam. The Garland exhibition in the Cantor Building gallery is on until 9 November. 

Incidentally, the electric doors at the main entrance to the Cantor building sound like dubstep. Cannot be unheard…

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Claude Parent at the Tate Liverpool

Panoramic photo of Claud Parent's architectural intervention in the Tate Liverpool

Another favourite part of the 2014 Liverpool Biennial, Claude Parent’s La colline de l’art in the Wolfson Gallery on the ground floor at the Tate Liverpool.

Particularly enjoyed the way the light was diffused and altered for works with very reflective surfaces or cases.

I really enjoyed Liechtenstein’s Moonscape, a screenprint on iridescent blue plastic. It seemed smaller and more experimental than his more famous pieces, and more reserved. You walk up a long ramp in Parent’s space to reach the piece and end up viewing it on a raised platform, a dead-end and the highest point in the gallery. That’s where I took the iffy panorama above. The photo doesn’t do it justice, but hopefully it gives an impression of the extent of Parent’s architectural intervention within the space.

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2014 Bloomberg New Contemporaries

Photo of piece titled Pillars II by Katie Hayward

Katie Hayward
Pillars II, 2014
Plastic and industrial fans
Dimensions variable

Took the train to Liverpool recently for the Adrian Henry: Total Artist book launch (published by Occasional Papers, buy it here), and tried to cram in the entire Liverpool Biennial in that one day.

The piece above is part of the 2014 Bloomberg New Contemporaries exhibition in the World Museum and was probably one of my favourite works in the show. Details below the photo (taken on my phone, doesn’t do her piece justice). I don’t think the artist has a personal website just yet, but there’s a bit of information about her here and here.

There was a separate, very loud installation in this part of the exhibition that, IMO, was unfortunately presented. I don’t mind loud sound installations, but the positioning didn’t seem carefully considered in this instance. Sound travels far and fast in those cuboid, hard-surfaced rooms.

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XYT: Detroit Streets

Been away from the desk for a while, and thus the blog has been on hiatus. With good reason, though: I was on holiday in the states at long last! Got to participate in two friends’ lovely wedding outside Boston, and then we visited family in Nashville, the south coast of Lake Michigan, and Chicago.

Sam was a lucky duck and got to spend a day exploring on his own in the windy city. He saw a ton, including XYT: Detroit Streets, an installation by Zago Architecture at The Art Institute of Chicago. He filmed a little sample of it on his phone. Wish I could have seen it in person.

Watch clip (YouTube)