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Homework from Larry

It’s a beautiful, premature spring day today. Mid-50s in the sun, and might even reach 60F tomorrow before it drops back down for a bit.

B and I picked up some cupcakes from Ladybird and I stopped to feed him on the bench outside. An older guy was sat on the neighboring bench reading Right-Wing Critics of American Conservatism by George Hawley, but mainly holding court. He asked me B’s name, and we got talking about books and movies. Larry gave me some homework:

  1. Listen to the Octavia E. Butler interview on Krista Tippett’s On Being podcast. This is a tough one… I had a look for it but couldn’t find it. Perhaps he meant the episode with Anthea Butler and Arlene Sánchez-Walsh on Sister Aimee? I don’t think so though since he said the interviewee was talking about spirituality and sci-fi. I scanned through all of the episodes before Butler’s DOD and didn’t find anything. Perhaps it was a different radio show? I’ll have to ask if I run in to him again.
  2. Watch Worlds of Ursula K. Le Guin, a PBS documentary presented by American Masters. You need a membership to watch it, but there are some short clips on YouTube as well.
  3. Watch The Hustler, a 1961 film with Paul Newman, Jackie Gleason, and Piper Laurie.
  4. Watch Days of Wine and Roses, a 1958 episode of Playhouse 90 on CBS with Cliff Robertson and Piper Laurie. He said it is on YouTube but unfortunately I can’t find it. Perhaps it was taken down. He also recommended the film from 1962 with Jack Lemmon and Lee Remick.
  5. Read A Clockwork Orange, the film isn’t enough. Anthony Burgess was his teacher.
  6. Check out Thomas Nast’s editorial cartoons.
  7. Check out Alice Neel’s portraits. He mentioned a retrospective at the Whitney that made a huge impression on him, when I look for it online it looks like that was back in 1974. Looking at her paintings now online, I can’t believe I hadn’t heard of her before. Shame to have missed her retrospective at The Met last summer but c’est la vie, we weren’t in Brooklyn yet.

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“I propose to take our countrymen’s claims of American exceptionalism seriously”

America believes itself exceptional, the greatest and noblest nation ever to exist, a lone champion standing between the white city of democracy and the terrorists, despots, barbarians, and other enemies of civilization. One cannot, at once, claim to be superhuman and then plead mortal error. I propose to take our countrymen’s claims of American exceptionalism seriously, which is to say I propose subjecting our country to an exceptional moral standard.

Ta-Nehisi Coates, Between the World and Me

Many passages in Between the World and Me are worth quoting, but this one really hit home. Coates also brands this “patriotism à la carte” in his Atlantic article “The Case for Reparations” (see below).

This blind national pride has been particularly painful to many people recently with the wildly inadequate pandemic response, the killing of George Floyd, unmarked federal officers’ violence in Portland, and so many more recent events.

I’d forgotten about how very pervasive it is until I got back to the US in early June. It’s insidious, sad and borderline delusional. And it’s not just a right / conservative thing.

It’s all well and good to be proud of your accomplishments, but if you can’t identify and work to rectify your failings then what the hell is the point?

I’ve been speaking with some friends about this book, they mentioned a few resources I’d like to follow up on.

And I’m still working through my previous list.

I just finished “The Case for Reparations” and learned so much.

Coates weaves together individual and collective experiences, history, and data to connect the dots between the Jim Crow South, the Great Migration, redlining by the Federal Housing Association following the New Deal, the efforts of the Contract Buyers League, Belinda Royall’s early and successful petition for reparations in 1783, John Conyers’s HR 40 bill, the early history of slavery in the US, the failure of Reconstruction, the levelling of Tulsa’s “Black Wall Street” and its subsequent suppression in law and the media, the myth of fatherhood as the antidote to Black poverty, the fuzziness of affirmative action, the “gulag of the Mississippi” Parchman Farm, the impact of Germany’s post-WWII reparations on Israel and the evolution of contemporary Germany, the prevalence of subprime lenders preying on Black home buyers in the run up to the 2008 crisis, and so much more.

He argues for the cooperation of every aspect of society in a real discussion and debate about reparations to “reject the intoxication of hubris” and bring about “a revolution of the American consciousness, a reconciling of our self-image as the great democratizer with the facts of our history”.

HR 40, the Commission to Study and Develop Reparation Proposals for African-Americans “to examine slavery and discrimination in the colonies and the United States from 1619 to the present and recommend appropriate remedies”, has progressed since Coates wrote “The Case for Reparations” in 2014. Texas Representative Sheila Jackson Lee is now first sponsor of HR 40 having taken over from John Conyers in 2018. There has been some progress with the bill, but a vote has not been set.

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“I don’t think we know how to separate when we’re feeling pity and when we’re feeling inspiration.”

A short surfing with coffee. It’s getting quiet as clients and collaborators head off for the holidays, so I played inbox catch-up this morning

Issue 227 of Rachel Andrew’s CSS Layout News is full of excellent reading and listening related to accessible and inclusive design. The link I dug most in to was “Future Accessibility Guidelines—for People Who Can’t Wait to Read Them” by Alan Dalton. His article led me to Liz Jackson’s Interaction 2019 keynote “Empathy reifies disability stigmas”. Part way through, she recommends the book Pathological Altruism. Looks like a big read (and it’s not cheap!) but it seems very worthwhile.

From about 8min 28sec in to her talk:

Step two of the design thinking process is defining the problem — but because disabled people are rarely able to lead, it often becomes us that are defined as the problem rather than the problem being defined as the problem. It becomes about what we can or can’t do, rather than how something does or doesn’t work for us.

So you have our insights gleaned, we’re defined as the problem, and then designers enter this iterative process of ideation, prototyping, and testing which leads to the unacknowledged stick stepper design thinking or as I call it, design thanking.

Because we’re expected to be grateful for that which has been done for us.

Her talk is roughly 20 minutes long and well worth a watch.

Thanks to Sam for the CSS Layout News recommendation.

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1979 to 2012 on 70,000+ VHS tapes

Black and white photobooth photos of Marion Stokes

Marion Stokes recorded television news twenty-four hours a day between 1979 to 2012 on to over 70,000 VHS and Betamax tapes, planning her days around the length of a tape and storing her output in various apartments. Her collection was donated to the Internet Archive and the tapes are now being digitised so that they will eventually be available to the public online.

Recorder: The Marion Stokes Project is a documentary, a portrait of Marion Stokes by filmmaker Matt Wolf. The image above is a still from the trailer. I really hope to see it at some point, maybe it will come to London. Thanks to RE for bringing this to my attention.

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Gogo Penguin + Koyaanisqatsi, and the memory of a tower in Bosnia and Herzegovina

Last night I went to a live screening of Koyaanisqatsi at EartH in Hackney with GC. I knew Gogo Penguin would be playing live, but I didn’t realise they’d be playing their own re-scoring! Pretty impressive, both the execution and to even take it on considering the epic proportions of Philip Glass’s original score. The synchronisation of the rhythm and the visual was maybe not quite as intricate as the original but it was expertly handled, particularly for a live performance. Most of the time the pace was frenetic, frantic. There weren’t quite as many despairing moments as in Glass’s score, but the overall vibe was very similar.

I need to listen to more Gogo Penguin and definitely need to watch the original film, before this I’d only seen small bits of it.

The derelict facade of the Ljubljanska Banka Tower, or “Sniper’s Tower”, in Mostar (Bosnia and Herzegovina)

Photo taken 15 April 2009

The second half of the film includes many clips of derelict housing projects and other buildings. Those clips unearthed a ten-year-old memory of a tower I’d seen when visiting a good friend in Mostar, Bosnia and Herzegovina. The angular concrete structure loomed over the playground in Park Zrinjevac. It was an inanimate casualty of the catastrophic conflicts that consumed the region in the early 1990s, abandoned but clinging to a few remnants of glass and insulation.

That much I knew from the pocked concrete, but I didn’t know the specific role it played in the war until today. Once called the Ljubljanska Banka Tower, it’s now known to some as the Sniper’s Tower. It was used by gunmen targeting people below during the 1993–1994 Siege of Mostar. The multiple sieges led to the widespread destruction of the city, and almost 100,000 people fled.

I searched everywhere online for pre-war photos of the tower but couldn’t find any, just this photo taken a few months after I was there. The photographer captured it in much better light than I, the photo hints at the building’s formerly mirrored, golden facade. It still stands from what I gather, but the exterior structure has been removed and the entries have been blocked off. Graffiti artists use it, and urban explorers try to have a poke around. It looks like a skeleton in the more recent images I’ve seen. I’m not sure I’d feel comfortable going in.

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More sci-fi

While I was away in France, I read The Word for World is Forest by Ursula K. Le Guin. The contrast between good and bad is pretty b/w, a little less nuanced than in some of her other books, but I really enjoyed it. It had some Heart of Darkness and Planet of the Apes (2010s reboots) vibes.

Off the back of that, these are a few new sci-fi items for the reading and watching lists:

  • La Planète des singes by Pierre Boulle published in 1963. I didn’t realise that the whole Planet of the Apes world started with this novel.
  • A Non-Euclidean View of California as a Cold Place to Be, an essay by Ursula K. Le Guin. It can be found in her essay collection Dancing At the Edge of the World: Thoughts on Words, Women, Places, can also be found bouncing around online. Recommended by GC. I need to get a better handle on Le Guin’s work in general actually, there’s just so much!
  • Annihilation by Jeff VanderMeer published in 2014. The movie was based on this book, apparently both are pretty good but the book is particularly strong. Recommended by FB and GC.
  • FB, GC, and I were talking about how the strength of so much great literary fiction lies in the fuzziness, the areas where the reader is trusted to fill in the gaps. This is so often lost when a book is adapted to film. David Lynch is good at hanging on to this stuff (see Mulholland Drive, for example), but I’m not a big film buff and couldn’t think of many others. FB suggested we check out some Andrei Tarkovsky films, particularly Solaris (1972).
  • Related to that read Solaris, the 1961 philosophical sci-fi novel by Stanisław Lem. I had no idea the movies were based on one of Lem’s books.

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TODOs: automation, films, pens, reading, etc.

This week has been absolute chaos. Good though! A few things to remember, and to follow up on.

I keep coming across Automate the Boring Stuff, and keep forgetting to look in to it. Python was the first language I learned back in college with Prof. Maxwell, so would be nice to revisit it.

Same thing with films like Idiocracy and The Skeleton Twins. Made a mental note to see them years ago and then promptly forgot, so I’m noting them here as an ever-so-slightly more effective reminder. Idiocracy seems particularly weird, on paper it should have been a huge hit but it got absolutely sidelined by Fox and was screened in the bare-minimum of theaters. The reviews are crazy mixed. Still, I’d like to see it.

Something I *have* watched recently on SB’s recommendation is the BBC’s Ghosts. It’s hilarious and completely charming, a lot of the same faces as the original Horrible Histories but a completely different format. I’d watch the whole thing again, hope they do another series.

Last weekend was Offprint book fair in the Turbine Hall at the Tate, and probably my last event with OP. It was nice to see a few familiar faces including the guys at Here Press. Richard Hollis did a talk to a full house on his newest book about Henry van de Velde followed by a book signing at OP’s table. It was nice to see him again. He was using a blue Uni-ball Air for the signing. I’m going to keep my eye out for that one in the stationery shops, it’s a ball point that writes like a fountain pen (line thickness varies with pressure, but very little risk of leaks). The price seems super reasonable, the web’s retail giant offers a three-pack for just under £5.

GC recommended The Mushroom at the End of the World, and if there’s anyone I trust to give me great book recommendations, it’s her. I’m just hoping it leans towards the glass-half-full end of things, I’m not sure I can take more pessimism right now.

I might have a little bit of downtime while travelling over the next few weeks. If I do, I’m hoping to spend a little time looking in to Commotion, “a free, open-source communication tool that uses wireless devices to create decentralized mesh networks”. Could use SiteSucker to grab all of the docs before I leave for offline reading. I came across Commotion for the first time via a link to Learn Networking Basics from Measurement Lab’s learning resources.

Big data? No thanks

Gandi published a long blog post titled “Mass manipulation and platform privacy: where we’re at”. It’s summarises some talks and Gandi’s perspective following a conference on “democracy in the face of cybersecurity threats”. I’d like to follow up on a few of the points from the post. I’d also like to find out what public educational efforts are under way. Surely someone is working on PSA-style messaging about the dangers of misinformation and how to identify it. It’s easy to be skeptical about that sort of thing, but it can stick. What’s the cyber-awareness version of “Only you can prevent forest fires” or “A slip of the lip will sink a ship”? James Bridle’s “Big data? No thanks” is related, but the version I’m talking about is more personal, about confronting your own confirmation bias. But not too ominous, also catchy and friendly? Tall order.

Every time I sit down on the tube I wonder about what other people see when they look at me, what they perceive about me precisely because they are *not* me. There is this slippery divide when it comes to understanding yourself. There are elements of yourself that you can never understand since it’s impossible to get outside your own head (one of the reasons that talking to someone else about a problem can be so helpful). There are other things about yourself that only you can ever understand, no matter how much time you spend attempting to express that thing. I have trouble articulating why this feels like a catch, but surely someone out there has tried. Just need to find them.

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Documentary “Moominland Tales: The Life of Tove Jansson”

Screenshot of Tove Jansson swimming in Finland from the BBC documentary Moominland Tales: The Life of Tove Jansson

Screenshot of Tove Jansson swimming from the BBC documentary “Moominland Tales: The Life of Tove Jansson”, around 1:20 mark. View the trailer here.

Until I watched the BBC documentary “Moominland Tales: The Life of Tove Jansson”, I had never really known about the artist and author Tove Jansson nor the context for her work. I’m so glad to have come across the film. She was an impressive and talented woman that lived through some devastating times. The documentary is enhanced by quite a bit of original footage, images, and quotes from her journals and other writings. It also includes interviews of her friends and family. My only criticism would be that the tilt-shift effect on some of the shots of contemporary Helsinki and the Finnish countryside felt a little heavy-handed.

The scene above was likely filmed by Tove Jansson’s partner and great love Tuulikki Pietilä, a Finnish graphic artist. Her nickname was Tooti. For nearly 30 summers, Tove and Tooti lived and worked in a cottage that they built together on a little remote island called Klovharu. It sounds like they were quite the independent adventurers, and their time on the island seemed idyllic. This moment was rather heart-wrenching.

Last summer something unforgivable happened: I started to fear the sea. The giant waves no longer signified adventure but fear. Fear and worry, for the boat and all the other boats that were sailing around in bad weather. We knew it was time to give the cottage away.

Once they had left, they never wanted to come back. They didn’t even want to talk about it. It was the end, and that was it.

A side note: Sophia Jansson’s comment reminded me of a moment in a recent episode of NPR’s Wait Wait Don’t Tell Me when Peter Sagal asked Norman Lear if he had any tips “for those of us who would like to arrive at 93 as spry and as successful and happy as you are”.

What occurred to me first is two simple words, maybe as simple as any two words in the English language – over and next. We don’t pay enough attention to them. When something is over, it is over, and we are on to next.

I’m looking forward to discovering Tove Jansson’s work. I’ll probably start with the original two Moomins books, then move to The Summer Book and A Winter Book.